Artist Statement

Sometimes what we hold inside is too complex to put into words. My artwork explores what it means to endure loss, hold on to joy, and stay hopeful. I create to connect with others who’ve experienced loss, resistance, and the desire for a better future. Each piece holds space to process, remember, and dream.

In some of my artwork, I make layered, mixed-media paintings that explore grief, memory, and the emotional weight of being. I use bold colors and textured surfaces to express complex feelings—dissociation, longing, strength, and tenderness—all held together in a single moment. I also incorporate self-portraits from an eventful time: the pro-democracy protests following the 2021 military coup in my home country of Myanmar (Burma). These photos show how I was feeling: lost, afraid, and resilient. I use them as the base for my paintings, adding layers of texture using acrylic and oil pastel. 

In other pieces, I scratch the surface to create a rough, scab-like finish. This is how I show trauma—something that is healing but still painful, especially when retriggered. Sometimes, I use dried petals, leaves, and other organic materials to represent how fragile and temporary life can be. These elements break down over time—just like memory, relationships, and the body itself.

Through my work, I ask what it means to hold memory in a body, to grieve what’s been lost, and to imagine hope. For me, making art is how I process, remember what matters, and share stories that deserve to be told.

Bio

Based in Washington, DC, Khin is an artist from Myanmar (Burma). Through her work, Khin asks what it means to hold memory in a body, to grieve what’s been lost, and to imagine hope. 

In some of her artwork, through self-portraiture, layered textures, and images of the Myanmar democracy movement, she explores what it means to survive mass violence and still reach toward healing. She often creates rough, scab-like finishes to show trauma—something that is recovering but still painful, especially when retriggered. In other works, elongated teardrop strokes and neon tones signal emotional states ranging from dissociation to longing for comfort. Her work creates space to feel, reflect, and connect across experiences of loss, resistance, and hope. For Khin, making art is an act of remembrance, resilience, and the pursuit of collective healing.

Khin has exhibited her work in group shows across Washington DC, Maryland, Chicago, and Thailand, including at The Phillips Collection, Eye Street Gallery, Strathmore Mansion, Gallery Y at the YMCA Anthony Bowen, Rhizome DC, Woman Made Gallery, and The Commune in Chiang Mai. Khin’s work has been acquired by the DC Commission on the Arts and Humanities.

Exhibitions

2026 Group exhibition "FEMME," Washington, DC
2026 Juried exhibition "Tomorrow the Sun Will Rise," The Phillips Collection, Washington, DC
2026 Group exhibition "Art Bank: New Work from the Collection," Martin Luther King Jr. Memorial Library, Washington, DC


2025 Group exhibition "collaborate / kəˈlabəˌrāt," Gallery Y, Washington, DC
2025 Group exhibition "DC Art Now 2025" (FY 2026 Art Bank Program Finalist Exhibition), Eye Street Gallery, Washington, DC
2025 Group exhibition "Acts of Care: Nurturing the Present, Shaping the Future," Woman Made Gallery, Chicago, IL
2025 Group exhibition "Can't Stop Won't Stop 2025," The Commune, Chiang Mai, Thailand


2024 Group exhibition "Exhibiting Failure," Rhizome DC, Washington, DC
2024 Group exhibition "Translation Through Art," Strathmore Mansion, Rockville, MD
2024 Group exhibition "From the Earth to the Sky," Gallery Y, Washington, DC
2024 Group exhibition "Artomatic 2024," Washington, DC